There are places where the location is more than either built environment or nature – such as Erraid and Iona. Here are stories that have a strong sense of place – even if they take place in a building such as Cluny or Newbold House.
Cluny Hill Hotel, which Peter Caddy managed from 1957-62, was purchased by the Foundation in late 1975. The Hotel had become run down and within a month of purchase renovations began, organised by Core Group
This historic document A TOUR OF CLUNY with Stan Stanfield was initially transcribed and edited by Charles Petersen in February 1986.
This file is in three sections. The first is a history of the Cluny Hill Hotel years written by Peter Caddy. The second is a selection of contemporary extracts from Peter's letters, which give an
CLUNY CHRONICLES This file comprises several articles from the Foundation's magazine Open Letter detailing different stages in the purchase, refurbishment and reopening of Cluny as Cluny Hill College, during the years 1975-78; plus a poem
As the Findhorn Foundation shapeshifts in preparation for its unfolding into something new and more sustainable in 2024, I have selected a few images that capture some of the essence of what Findhorn - and
Expanding Light It is the American Southwest; again, the lake forests of Scandinavia; pampas grasslands of Equador (where the bobolink winters); meadows of a Sicilian spring; reflections, at high tide and white mist, of a
2 beautiful huge murals grace the back walls in the auditorium of the Universal Hall. They create a unique holding for the great variety of events in this space. They were a gift
The tiny Hebridean island of Erraid has been home to a small group of members of the Findhorn Foundation for over 40 years. Living life on a remote Scottish island brings us to the forefront
The following is a work in progress. It was triggered by the Topic - Buying the Caravan Park in 1983 and the desire to clarify how the agreements then have shaped the development of the
After focalising Cluny Kitchen, I spent a wonderful year from 1977–78 working with Michael Worth, Ian and Sheila Campbell and the Foundation’s Performing Arts Group. As we made the transition from performing in the tiny
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After focalising Cluny Kitchen, I spent a year 1977–78 working with Michael Worth, Ian and Sheila Campbell and the Foundation’s Performing Arts Group.
I ended up as chairman of Executive Committee
