Community Manifestation
I did Experience Week in 1984 and returned in the Autumn to do Orientation to become a member of the Findhorn Foundation. In my first few weeks here I attended a community meeting in the
I did Experience Week in 1984 and returned in the Autumn to do Orientation to become a member of the Findhorn Foundation. In my first few weeks here I attended a community meeting in the
Jan and I were visiting White Lodge, the home of our teacher, Ronald Beesley in early 1968. He never came to Findhorn yet he knew what was evolving here. He gave us the address of
Click to see whole book "Thus from the beginning, the intent of the Trust has not been to create a garden, nor to build a community, but to demonstrate a consciousness of attunement
Click to see whole book Future trends for the Foundation are hard to predict, but it seems likely that the re-development of the caravan park with permanent buildings will take up a considerable
Click to see whole book Directly or indirectly, David [Spangler] drew to us many young people, who brought with them guitars, long hair and a lifestyle with a definite Californian flavour of casual
Click to see whole book In the sixties the Community was a magical place, but one where the expectations were no less than a full day's work, seven days a week and a
I am an independent choreographer, performer, and Creative Director of Dance North Scotland. In this interview with Alex and Callum I talk about my journey from life as anarchist activist in my mid-twenties, through ill
This documentary features speakers from the Findhorn Foundation's 2008 Easter Conference, 'Positive Energy - Creative Community Responses to Peak Oil and Climate Change': Joanna Macy, Rob Hopkins, Richard Heinberg, Megan Quinn and Dorothy Maclean. Not
Introduction As the topic of what happened at the time the Caravan Park was purchased has recently come up, I thought it would be interesting to see what we have in the Foundation archive files
After focalising Cluny Kitchen, I spent a wonderful year from 1977–78 working with Michael Worth, Ian and Sheila Campbell and the Foundation’s Performing Arts Group. As we made the transition from performing in the tiny