Ecotheatre-Home
During a summer camp five teenagers play, reconnect with nature, and reclaim their identities with nature amidst the teen angst years and planetary crises. Ecotheatre is not just about performing with nature. It is a journey home.
The Story of Biomatrix Water
I am Biomatrix Water, and I exist to remind our cities they are meant to flow with life.
The Story of FF3 (Findhorn Foundation SCIO)
I am a new seedling growing from two older ancestors, two great trees who have fallen.
The Story of the Phoenix Shop and Café
From a small caravan park SPAR in the 1970s to the vibrant Phoenix Shop and Café today.
The Story of the Hinterland Trust
I am Hinterland Trust, a land spirit rooted in community. Not built, but grown through care, through many hands working together with purpose.
The Story of COIF
The story of our collective autobiography as part of the Easter Artist Hunt 2026, followed by contributions from the audience, sharing what the Community means to them.
Findhorn News – Performing Arts (1973)
Of the many bridges that are being built between Findhorn and the world around us, perhaps the most immediate and concrete is our new theatre...it provides a stable and somewhat permanent vehicle for the direct transmission of energies between performing artists from within the community and our audience, which consists to a large extent, of people from outside the community.
Findhorn News – Drama (1972)
The prevailing rhythm in all of the performing arts at this time was toward working together in small units, all of which could later be blended together into a united whole for performance.
The Living Record – Theatre in the Community: The Early Days (1969-74)
Writer, actor, musician and astrologer Ed Maxcy came to Findhorn in 1969 and is described in Eileen Caddy's Flight Into Freedom as "Eddie", the young American whose first job was to type out her daily
Ed Maxcy: The Genial Muse and the early days of the performing arts
Findhorn Foundation Community performing arts pioneer Ed Maxcy, stage name Alexis, not only wrote, produced and directed the community’s first full-length musical The Genial Muse in 1971, but embodied the very essence of that Muse every hour of his community life.
